Four-colour print, A4, softcover or hardcover Editor: Charlotte Friling, assisted by Oriana Lemmens & Kaat Obbels
Published by: MER and Borgerhoff & Lamberigts
Graphic design: Joris Kritis and Adriaan Van Leuven In English with original texts in Dutch
Art critics commonly describe the work of Belgian artist Jef Geys (1934-2018) as “unruly and impossible to categorize in conventional art-historical categories.” Despite Geys’ subversive and critical attitude towards the art world, this ambitious publication shows that his work is not only deeply engaged and socially critical but also funny and sensory.
Since the early 1960s, Geys had compiled an archive of everything he considered part of his artistic practice in to form of his ‘List of Works’, serving as his oeuvre's index. With a total of 844 entries, Catalogue Raisonnable is the first total survey of Jef Geys’ work.
Through access to the artist’s archive, close collaboration with Geys’ next of kin, and thorough art-historical research, this publication offers a rare opportunity for understanding and appreciating the fascinating practice of one of Belgium's greatest artistic figures.
Softcover: €44 (excl. shipping costs)
Hardcover: €77 (excl. shipping costs)
This first overview monograph of Jef Geys's work, initiated on the occasion of the exhibition You don't see what you think you see, was edited by Charlotte Friling, assisted by Oriana Lemmens and Kaat Obbels, was created in collaboration with MER and Borgerhoff & Lamberigts, and was designed by Joris Kritis and Adriaan Van Leuven.
Artist Bio
Jef Geys (1934-2018) was a prominent Belgian conceptual artist known for his multifaceted and often provocative work that intersected art with everyday life. Born in Leopoldsburg, Belgium, Geys was a teacher by profession, a role that deeply influenced his artistic practice. His work is characterized by its exploration of social, political, and cultural themes, often challenging the boundaries between art and daily experience.
Geys gained recognition for his innovative approach to art, which included photography, installation, sculpture, and publications. One of his notable projects was the "Kempens Informatieblad," a self-published newspaper that combined local news with critical commentary on contemporary art and society. This project exemplified his commitment to making art accessible and relevant to the broader public.
Throughout his career, Geys exhibited internationally, including notable appearances at Documenta in Kassel and the Venice Biennale. His work remains influential, celebrated for its critical engagement with the world and its capacity to blur the lines between art, education, and activism.